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Coming soonSet of two
Palacio Embossed Champagne Coupes
Hand-blown coupe with the monogram embossed into the base. Weighted stem, cream box, riviera-thin rim.
From $180
The Atelier
The Atelier is the object side of the studio: 1960s Italian Riviera by way of Beverly Hills, 1989. Glass and linen for the table, sunglasses and a duffle for the week you disappear, lacquer and gold for the room you come back to. A little bit of everything — but everything makes sense together, and every piece is a statement piece, not merchandise.
One
Portofino lunch service, 1963 — glass and plate for the meal where the business actually gets decided.
Set of two
Hand-blown coupe with the monogram embossed into the base. Weighted stem, cream box, riviera-thin rim.
Set of four
Hand-blown Tuscan crystal, generous bowl, pulled stem so thin it disappears. Red, white, and everything after lunch.
Four-piece place setting
Cream porcelain with a hand-painted oxblood rim. Dinner, salad, side and saucer.
Cloth and six napkins
Heavy Italian linen in cream and faded oxblood cabana stripe. Hemmed by hand, softens with washing.
With tongs
Double-walled chrome shell, cream enamel liner, brass monogram plate. Holds a magnum.
Two
For the part of the plan where you press the button and leave. Sun, water, car, nothing to carry.
Acetate, glass lens
Wide 1960s frame in tortoise or cream, gold rivets, smoke-green glass. Case in oxblood leather.
Wide brim
Hand-woven Italian straw, oxblood grosgrain band, wired brim that keeps its line in a convertible.
Adjustable
Washed cream linen, tonal embroidered monogram, oxblood underbrim. The Beverly Hills errand cap.
Oversized
Woven Turkish cotton, cream ground, two-tone stripe. Big enough for a lounger and a lunch.
90cm square
Hand-rolled edge. Print drawn in studio: lemons, brass keys, a shelf of red spines.
Two nights
Cream canvas with oxblood bridle leather, brass hardware, one long strap. Nothing else needed.
Three
Black lacquer, gold trim, palm shadow. The statement piece you buy for yourself after a good quarter.
Mantel scale
Black lacquer case, brushed brass face, silent sweep. Reads across a room.
Framed, 24 × 30
Archival pigment on cotton rag, cream mat, thin brass frame. Editioned, signed on the verso.
Entry or bar
Single slab of cream marble, gold-plated gallery rail. For keys, glasses and closing gifts.
Six cards
Deep oxblood leather with the grain of a good back seat. Gold foil monogram inside.
Four
Stationery for people who still write the important things by hand — and sign the rest from a beach.
Letterpress stationery
Cotton card, deckled edge, oxblood letterpress monogram. Envelopes lined in cream.
Bound in cloth
Sewn signatures, ruled and dot-grid sections, ribbon marker, gold foil spine.
Monogram seal kit
Brass seal with the Palacio mark, oxblood wax sticks, cream storage tin.
Refillable
Solid brass barrel that ages into a warm patina. Black ink, fine point, weighted to sit still.
Five
Made the old way — solid metal, real silk, no plastic, no give.
Set of three
Hand-forged U-pins in antiqued brass and blackened steel. Holds a full chignon.
Two-prong
Cast brass fork with an engraved monogram head. Weighted to sit flush.
Pair
Cream silk over a French clip, edged in oxblood thread.
Vermeil
Flat oval face, monogram or blank, heavy enough to notice. 1989 proportions.
Tell us which collection you want and we'll write to you when it opens. Until then, press the button on the digital side — the studio does the work while you're away.